While I was mastering painting in my teenage years, I also had a parallel interest in psychology, philosophy, mythology and symbolism.
All this helped me to uncover the hidden corners of the human soul. To show how far the labyrinth of the unconscious really extends.
Later on, by preferring the portrait genre, I wanted to release the inner human energy of my characters.
By drawing that power through the mask of the ego I want to convey a distortion of the truth. To show how much this energy changes the outward appearance of a person.